Out of the Box Coaching and
Breakthroughs with the Enneagram, Mary R. Bast, Ph.D.

 

Sitting in the Fire

I'm a One. With the Enneagram I found out the numbers of people around me and what drives them, and sometimes feel I can do something for them, but they all seem lost in space. How can I help a Nine who doesn't know what she wants, without being intrusive? Most of all, how can I help a lost Seven who is getting into big trouble? Also, please tell me what I can do for myself--I sometimes feel I'm more relaxed, but there are certain things that really drive me mad. How can I be patient if I've never experienced patience?

You're right. You can't "try" to be patient. Patience isn't something you can just dredge up if you're feeling angry. The way to learn patience is to stay with your anger. Don't act on it. Just stay with it. Arnold and Amy Mindell help groups resolve conflict by owning and working openly with it. One of Arnold's books describing this process is called Sitting in the Fire -- a good image for Ones, who often resolve their basic anxiety through anger, instead of staying with the anxiety and learning from it. 

Let's say something "drives you mad," as you described it. Generally the battle is between "Do I say something or do I sit here and boil?" I'm suggesting you ask a totally different question: "What's going on with my anger? Where do I feel it? What does it feel like? What does that tell me about myself?" Focusing (from Eugene Gendlin) is one way to stay with your anger. With this technique you bring up the feeling and keep trying on "labels" until you feel a shift that signifies you've targeted what your anger represents for you. 

Another useful technique (from Mindell) is a particular kind of bodywork: Think of a time when you were furious, bring up that feeling again and even exaggerate it. Now "talk" to your anger, asking one or both of the following questions: "If I could see you, what would you look like?" "If you could speak, what would you say?" Then play with whatever images come up and see what you learn from them. This is a way of inviting your unconscious to show what's been hidden in your Shadow (aspects of yourself you haven't yet owned). Here's an example from my own experience:

I was feeling frustrated and experiencing a lot of neck pain. When I asked my neck pain what it would look like if I could see it, I conjured up an image of the wooden yoke that holds two oxen in place. When I asked the pain what it would say if it could speak, I got "I'm feeling the burden of oppression." I just kept talking to it until it became clear I was having a physical reaction to not having stated my own wishes clearly (a typical Nine dilemma) and then not liking the decision others made (a typical Nine reaction). 

The psychologist Carl Jung called this process of talking to yourself "active imagination." You can use it separately or in conjunction with the focusing process described above.

Usually a One's anger is frustration at impossible standards that are either self-imposed or projected outward. So your drive to "fix" the people around you is a way to resolve the anxiety raised by unconscious forces that drive you to "fix" yourself and everything around you. It will be healthier for you to pay attention to those forces in yourself (without judgment). When you focus on fixing, you feed the One's dysfunctional pattern.   

You can become acquainted with your internal critic. Here's a technique I learned from Tom Condon: When you feel yourself getting angry, picture that anger being spouted by the "part" of you that's angry. Capture the tone of voice, what that part would like to say, and where in physical space the voice is located. Is it talking into your right ear? Does it live inside the front of your brain? Where is it?

Once you've become familiar with the internal critic as a separate entity, you've learned to dissociate yourself a bit from your anger. To weaken its influence over you, imagine what you could do that would be slightly humorous (strengthening your Seven connection). Humor's often used to break people out of an outmoded way of thinking - that's why it's standard fare in creativity training. Below are two examples:

A client I worked with saw his internal critic as a little devil that sat on his left shoulder, snarling into his left ear. He pictured the "devil" as Jiminy Cricket singing a little song about anger. Subsequently, every time he got angry he couldn't avoid seeing the singing Cricket--again, a way to dissociate himself from the anger in a healthy way (dissociation can be unhealthy if we do it without choosing to).

Someone that I saw Tom Condon work with years ago described the tone of voice from the internal critic as exactly the same as her mother's. Then she imagined the voice coming from the sole of her foot instead of shrieking into her ears. Naturally it needed a megaphone from that distance, which just increased the ridiculousness of the image.

Now create some images of your internal critic that are unique to you.  Most important, I recommend that you develop a contemplative practice -- relaxation, counting the breath, meditation, and/or centering prayer. You'll begin to notice a more centered attitude toward your ongoing existence.

Regarding how to help a Nine or a Seven. The first question is why do you need to fix them? They may truly need help, but this is also an aspect of your perfectionism. It would be much healthier for you to sit with the wanting to help/fix them without actually doing so, and to do some of the above exercises, only this time use the feeling of "wanting to fix them."

However, if you're really determined to do something with/for them, you can extrapolate from the descriptions of type dynamics that are available in any number of books. It's true that both Nines and Sevens can seem "lost in space," as you so aptly put it.  

According to Michael Goldberg (The Nine Ways of Working) Nines can be gentle, empathic, receptive, and nonjudgmental among other fine qualities. But they can be frustratingly unassertive, spaced-out, overly accommodating; even stubborn and passive-aggressive. Some of his suggestions for relating to a Nine:

  • Don't mistake silence for agreement--and don't necessarily take yes for an answer (Nines won't immediately know whether they really mean it or not).

  • Ask the Nine to repeat and summarize agreements; it's even better if the Nine writes it down.

  • Remind them of their own importance, that people are depending on them.

  • Asking for their input helps Nines focus--and makes them feel valued.

In my experience it sometimes helps to offer a Nine alternatives (like choosing from a multiple choice question). You can also start by asking what they don't want and gradually work them toward what they do want. For example, my mother's a Nine and when we go to a movie together I say "I'd be happy to see X, Y, Z or Q. Which of those do you least want to see?" It's kind of funny, but it works.

Goldberg describes Sevens in part as enthusiastic, fun-loving, curious, and generous; but also self-centered, restless, defensive, unreliable, and even self-destructive.  Some of his suggestions for relating to a Seven are:

  • Align with their dream, don't clip their wings too soon.

  • Recognize this is just possibility talking.

  • Ask lots of questions--they love hypothesizing.

  • Show how their dreams can work (they don't want to do the grunt work themselves).

  • Help them set boundaries and deadlines, but don't play the heavy.

In my experience it sometimes helps to be playful and inventive in trying to help Sevens move toward realistic action (and commitment). If you can start where they are it's sometimes possible to use what's fun to help them go deeper. The best example I have is a Seven friend who got interested in Tantra Yoga because it was sexy and fun, only to discover, as he got further into the practices, it was also a meditation practice that brought him deeper into his true self.

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Out of the Box Coaching/Breakthroughs with the Enneagram, Mary R. Bast, Ph.D.
Copyright © 1999. All rights reserved. Revised: January 28, 2008